top of page
dopVISION logo4B.png

Technical Specification

LENS                        

14mm FD- L ASPHERICAL T2.9

18mm FD-X ASPHERICAL T1.6

24mm SSC ASPHERICAL T1.5 

28mm SSC T2.1                          

35mm FD-X ASPHERICAL T1.5   

45mm FD-X T1.5                          

55mm SSC ASPHERICAL T1.3   

85mm SSC ASPHERICAL T1.3   

100mm NFD T2.1                        

135mm NFD T2.1                         

CF     

0.21m     

0.26m  

0.30m  

0.30m 

0.32m 

0.32m 

0.55m 

0.85m 

0.65m 

1.1m  

OD

110mm

143mm 

110mm

110mm

110mm

110mm

110mm

110mm

110mm

110mm

WEIGHT

1,36Kg

2,15Kg

1,24Kg

1,13Kg  

1,90Kg 

1,80Kg 

1,13Kg  

1,49Kg 

1,58Kg 

1,70Kg

MOUNT

PL 

PL

PL

PL

PL

PL

PL

PL

PL

PL

FORMAT

FF

FF

FF

FF

FF

FF

FF

FF

FF

FF

dopVISION5.png

Follow me

  • Instagram
  • Facebook
About
1_1.4_edited.png

Canon FDX - TLS

The Canon FD lenses were manufactured in the 1970s, and in recent years, they have been reconditioned by TLS and have become some of the most coveted prime lenses of today. By now the secret is out that they are a perfect fit either in Super 35 or Full Frame cinematography. The 24mm f1.4, 55mm f1.2, and 85mm f1.2 aspherical lenses are siblings of the legendary K35s. The 14mm, 100mm and 135mm are actually the lenses used to complete the K35s` set.

TLS replaced the original 8-blade irises with new 16-blade irises. So not only does your bokeh stay circular when stopped down, they also make the set more consistent from lens to lens. In the original FDs the 8-blade iris gives your bokeh a stop-sign shape to pin-point highlights.

The 18mm T1.5, 35mm T1.6 and the 45mm T1.5 in our set are part of our new FD-X lenses (the X meaning eXtended), which are additional focal lengths TLS made to fill in some of the gaps in the original FD lineup. Since only the 24mm, 55mm, and 85mm were available in high-speed aspherical versions, we wanted to fill out these amazing lenses with focal lengths that match their look and performance.

The TLS 18mm consists of Canon FD aspherical elements, with some additional optics used to create a wider angle vintage lens, that covers Full Frame sensors, even RED Monstro. The 35mm is a Minolta lens from the 1980s. It’s also a Japanese-made, aspherical lens, with performance, bokeh, and flare character very similar to the 24mm, 55mm, and 85mm FDs. 

The TLS FD-X 45mm T1.5 lens is based on a Yashica lens, but it has the characteristic warm flares and look that the Canon K35’s and FD’s have. For that reason it is a great fit for either of those lens sets. It is a nice gap filler between the K35 35mm and 55mm.

 

With these three FD-X primes, you have a complete set of vintage, high-speed, in a very complete set: 18mm, 24mm, 35mm, 45mm, 55mm, 85mm.

All the lenses have Full Frame coverage.

English/Português

Shot on Canon FDs

Unicef - Never give up
02:07

Unicef - Never give up

Commercial 2' English 2022 Format: Super 35, Digital Aspect ratio: 1,78:1 Camera + Lenses: Red Gemini + Zero Optik Canon FD "30 years ago, at the United Nation's Earth-Summit in Rio de Janeiro, twelve year old Severn Suzuki held an overwhelming speech about intergenerational climate justice and her feelings towards a more and more devastating future for the children of the global south. Her words were heard around the globe and haven’t lost any importance in today’s world where we still haven’t found a way to protect the most vulnerable from the climate catastrophe." — Alexander Tank Director: Alexander Tank DOP: Fabio Tozzo Edit: Max Neumeier Client: Unicef Production: Hillton Producer: Gilles Germann Line Producer: Carlo Esposito Production Assistant: Lou Staub 1ST AC: Andreas Schneuwly / Sven Uhlmann 2nd AC: Carla Maiolino Gaffer: Fafa Silvia Fierz Best Boy: Sven Probst / Myrionymos Baikouzis Key Grip: Nik Delley Set - PM: Kilian Lilienfeld Production Design: Robin Fessel PD Assistent: RNF - Design Styling: Amanda Brooke Monster Styling: Sibel Kaya H&M: Viviane Saner Runner: Elio Fumagalli Butterfly breeder: Marc d'Rone // Papa Papillon Editing Assistant: Yonca Ergen / Lou Staub VFX: Ennio Ruschetti // Altes Lager // Tobias Rösli Color: Nadia Khairat Gómez // MAP - Berlin Sound: HitMil Music: Rob Büchel Soprano: Rebekka Bräm Violin: Timo Khina Camera rental: Octamas Camera rental: Ansich Light rental: FTK Grip rental: Blow Up Studio location: Fotohalle Casting: Atelier 229 / Background Action
GIULIA BE - DOS PALABRAS
03:05

GIULIA BE - DOS PALABRAS

Direção - Harold Jimenez Ass. Direção - Débora Yazbek Diretor de Fotografia - Victor Ponce Participação especial - Rômulo Arantes Neto Produção Executiva e Coordenação de Produção - Diana Balsini Produção Executiva e Assessoria Jurídica - Wanisy Roncone Diretor de Produção - Tato Pessanha Stylist – Ju Gimenez Beauty - Lavoisier Ass. Stylist - Thaís Savelli e Sanny Elias Assist. Beauty - Ricardo Vinicius Camareira - Vilma de Alcantara Guerra 1º Assistente de Produção - Tatiane Oliveira 2º Assistente de Produção - Lucas Bergamini Platô - Leandro de Araújo Dias 1º Assistente de platô - Alexandre Canhadas - China 2º Assistente de platô - Alexandre José - Zikk 2º Assistente de platô - Anderson Mascarenhas - Carioca Diretor de arte - Guilherme Ávila Produtor de Objetos - Rodrigo Reis Assistente de Arte - Isabel Isak Ajudantes de Arte - Paulinho, Jorge e Matheus Aderecista - Luma Assis Cenotécnico - Pelé Leonarchik Contrarregra - Marcelo Miranda Playback - Thomaz Bonatto 1º assistente câmera - Daniel de Santi 2º assistente de câmera - Paul Christian Carbone Logger - Carolina Colombo Steadcam - Nicholas Zugaib Fotógrafo Still - João Viegas Making Of - Tassia Holsbach Produção de Casting - Thiago Arraes Assist. de Casting - Diego Camilo Elenco: Daniel Rocha de Oliveira, Wilton Walban, Wellington dos Santos Sabino, Bruno César Thomazi Freitas Pezzini, Fábio Antunes Mazzini, Vinícius Figueiredo de Almeida, Artur Roberto Ferreira Evangelista, Renato Fernandes Rocha Junior, Gabriel Antunes, Flávio Mota, Bianca Tamy Paschalis Rodrigues, Luis Cláudio da Silva, Renan Landeira de Morais Gomez, Edson Duranti Junior, Givanildo Barroso de Souza, Felipe Azevedo da Costa Pinto, Carlos Henrique Goncalves, Alexandre Campos, Franklin Borges Veríssimo, Pérès Ricardo Songbe, Marcos Diogo Miyahara, Jean Betto, Gabriela Dias Barauna, Guilherme Augusto Batista, Evelyn Helen García Facchini Bailarinas: Erica Rodrigues de Souza, Ingrid Gabriely Gomes De Oliveira e Letícia Marques Vieira Figurinista Elenco - Camila Florentino Assist. Figurino Elenco - Artemis Ahmadi e Oraide Oliveira Camareira - Pepa Silva Beauty Elenco - Vale Saig Equipe de Beleza Elenco - Cleiton dos Santos, Beatriz da Silva, Belkis Goulart, David Santos e Jhonny Braz Gaffer - Franklin Closel 1º Ass. elétrica - Marciel Anser Bueno 2º Ass. Elétrica - Bruno Alex Martin 2º Ass. Elétrica - Igor Fernandes de Carvalho Chefe de Maquinária - Lucas Baiano 1º Ass. de Maquinária Lucas Bispo 2º Ass. de Maquinária - Tadeu Bispo 2º Ass. de Maquinária Rodrigo Cabral Estagiário de Maquinária - Bruno Pina Serviços Gerais e Assistência de Set: Thais Barbosa de Oliveira e Fredson Rodrigues de Sá Equipe de Enfermagem (Triagem e Assistência COVID): Mary Romano dos Santos, André Brandão e Nilton Fernando Freitas de Souza Equipe de Segurança: Carlos Alberto Bedoni, Alexandre Euripedes, Anemilton de Sousa e Melson Santana. Catering: 3x Catering (Ricardo Barletta) Agradecimentos especiais aos fornecedores: Albonet Geradores - Grace Moreal WTC Transportes - Eduardo Leal EMY Remoções Ipiranga - Jane Digital 35 câmeras - John Lentes - Léo Kawabe Águia Equipamentos Infraestrutura - Letícia e Aguimar Movingtrack - Carol Barnet Traquitana Equipamentos - Franklin Cinegripp - Sarah WN Luz – André Apoio Seguros Lions Nightclub
Contact
bottom of page